DVD Movies
Cto Viola & Orch / Replica Viola & Orch
This disc was nominated for the 2000 Gramophone magazine award for "BestConcerto Recording."If the Viola Concerto is a neglected issue among Bart k's compositions, it is because of its stepchild status. Commissioned by William Primrose, the concerto was left unfinished when Bart k died in 1945, and while a substantial three-movement structure existed, the work remaining to be done was far more than merely cosmetic. Hungarian composer Tibor Serly undertook the task of completing it and Primrose finally gave the premiere in 1949.Violist Kim Kashkashian is a most persuasive advocate for this piece, as she and conductor Peter E?tv?s seem finely attuned to the peculiar twilight world of interrupted dances and wistful songs that run through it. E?tv?s' own composition, 'Replica,' dwells in a more sinister atmosphere, with striking bass sonorities underpinning high string clusters and swooping glissandi to disconcerting effect while the viola soloist reacts in agitated fashion, an expressionistic protagonist in a post-Bergian horror movie. Then Gy?rgy Kurt g's graduate essay, Movement for Viola and Orchestra, takes us full circle, back to the world of Bart k which it so reverently echoes.
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Meet the Spartans - Widescreen Fullscreen Dubbed
From the creators of Scary Movie and Date Movie comes this tongue-in-cheek parody of the sword-and-sandal epics, dubbed Meet the Spartans. The 20th Century Fox production was written and directed by the filmmaking team of Jason Friedberg and Aaron Seltzer. Sure, Leonidas may have nothing more than a cape and some leather underwear to protect him from the razor-sharp swords of his Persian enemies, but that won't stop the brave leader and his team of 13 warriors from defending their beloved homeland against a powerful invading force that includes the likes of a mutant Paris Hilton, the Transformers, the Ghost Rider, and Rocky Balboa. ~ Jeremy Wheeler, Rovi
Midnight Movie Blu-ray
A midnight screening of a 1970s cult horror film becomes a wholesale bloodbath after the members of the audience see one of their friends butchered on the big screen and quickly surmise that there's a madman in the theater who seeks to slaughter them all. It was just another rundown movie house in a small suburban town -- what better place for a screening of a true cult classic? But this isn't your typical horror film because years ago the director had been locked away in a psychiatric hospital after having a complete mental breakdown. The teens at the screening have no idea that he escaped from the hospital nearly five years ago and that chances are good he's still out there somewhere. When the film starts to roll and the heckling begins the atmosphere in the theater is loose and fun. Giddiness gives way to deep-rooted dread however when the horrified audience is forced to watch as one of their good friends is viciously murdered right before their very eyes. This is no movie a
Pop Goes Korea: Behind the Revolution in Movies Music and Internet Culture (Paperback) Book
From kim chee to kim chic! South Korea came from nowhere in the 1990s to become one of the biggest producers of pop content (movies music comic books TV dramas online gaming) in Asiaand the West. Why? Whos behind it? Mark James Russell tells an exciting tale of rapid growth and wild success marked by an uncanny knack for moving just one step ahead of changing technologies (such as music downloads and Internet comics) that have created new consumer markets around the world. Among the media pioneers profiled in this book is film director Kang Je-gyu maker of Koreas first blockbuster film Shiri; Lee Su-man who went from folk singer to computer programmer to creator of Koreas biggest music label; and Nelson Shin who rose from North Korea to the top of the animation business. Full of fresh analysis engaging reportage and insightful insider anecdotes Pop Goes Korea explores the hallyu (the Korean Wave) hitting the worlds shores in the new century.
Directed by William Wyler/The Love Trap -
Includes:The Love Trap (1929) Directed by William Wyler (1986) The Love Trap Directed by William Wyler, The Love Trap centers around a chorus girl whose sudden job termination (on the day of her eviction, no less) leads her to a hasty decision -- she would attend a party and make money by whatever means necessary, however dubious those means may be. It isn't long before the young woman ends up on the receiving end of an attack, and not only finds herself thrown out of the party, but homeless, penniless, and at the mercy of a good-hearted taxi-cab driver. The cab driver lets her take up temporary residence inside one of his cars, and winds up falling in love with the singer, as she would with him. Certain that they were meant to be together, the couple rushes off to the altar; sparking no small amount of ire from the cab driver's snooty, upper crust family. Indeed, the relatives raise a mighty fuss -- his uncle goes so far as to expose the new bride of having been the host's mistress at the ill-fated party she had attended at the height of her desperation, which leads to a heated showdown between husband, mother, and uncle. The Love Trap features Laura LaPlante, Nell Hamilton, Norman Trevor, and Jocyln Lee ~ Tracie Cooper, Rovi Directed by William Wyler This excellent biographical documentary looks at the life and work of director William Wyler. The film is dominated by clips from many of Wyler's better-known works, such as Roman Holiday, Ben-Hur, and Funny Girl. A long interview with the director himself (conducted a few days before he died) provides his personal perspective on his work and interviews with his actors and colleagues offer some surprising comments about the man. Terence Stamp feels Wyler may not have had a good command of English, while Laurence Olivier notes that Wyler taught him how to drop theatrical exaggerations and act for the camera. Bette Davis gives the most extensive commentary. Excerpts from home movies show Wyler and his family on vacation and also record a bit of the making of Wuthering Heights. ~ Eleanor Mannikka, Rovi
Casa [ECD]
Track Listing: 1. En Tus Ojos, 2. Amor es Rosa, 3. Casa, 4. Gusano, 5. Cuarto Encima, 6. Alimento de la Vida, 7. Suelo, 8. En Direccion Contraria, 9. Saul, 10. Ser Humano, 11. Tic Tac, 12. Hormigas, 13. Solamente Te lo Doy a Ti, 14. Cuando Todo Cambia, 15. Un Pato - (theme song of the hit Mexican movie Temporada de Patos)
The Incredible Mr. Don Knotts: An Eye-Popping Look at His Movies (Hardcover) Book
If there is any doubt about the genius of the late great Don Knotts--simply ask the millions of Andy Griffith Show fans who have adored his performance as Deputy Barney Fife on television for decades. After earning five Emmy Awards for his work on the classic sitcom the actor surrendered his bullet to the sheriff and hit the trail to make movies.Now author Stephen Cox and pop culture critic Kevin Marhanka have joined forces to present the complete film works of comedian Don Knotts in The Incredible Mr. Don Knotts the very first book on Knott's movie career. The authors who interviewed Knotts at length about specific films in which he starred have gathered contributions from Andy Griffith Ron Howard Tim Conway Ed Asner and many co-stars from his forty feature-film career.This 'eye-popping' compendium of comedy will amaze even the die-hard Mayberry fans. Beginning with his first film with friend Andy Griffith in 1958 (No Time for Sergeants) the nervous wide-eyed Knotts made f
Who's Afraid of Virginia Woolf? - Widescreen Anniversary
You are cordially invited to George and Martha's for an evening of fun and games." Thus read the ad copy for Who's Afraid of Virginia Woolf, which in 1966 went farther than any previous big-studio film in its use of profanity and sexual implication. George (Richard Burton) is an alcoholic college professor; Martha (Oscar-winner Elizabeth Taylor) is his virago of a wife. George and Martha know just how to push each other's buttons, with George having a special advantage: he need only mention the couple's son to send Martha into orbit. This evening, the couple's guests are Nick (George Segal), a junior professor, and Honey (Sandy Dennis), Nick's child-like wife. After an evening of sadistic (and sometimes perversely hilarious) "fun and games," the truth about George and Martha's son comes to light. First staged on Broadway in 1962 with Uta Hagen and Arthur Hill, Edward Albee's play was adapted for the screen by Ernest Lehman, who managed to retain virtually all of Albee's scatological epithets (this was the first American film to feature the expletive "goddamn"). Lehman opened up the play by staging one of George's speeches in the backyard, and by relocating the film's second act to a roadside inn (he also added four lines--"all bad," according to Albee). Thanks to the box-office clout of stars Taylor and Burton, not to mention the titilation factor of hearing all those naughty words on the big screen, Who's Afraid of Virginia Woolf was a hit, and it won 5 Oscars, including awards for Taylor and Dennis, though it lost Best Picture to A Man for All Seasons. First-time director Mike Nichols lost the Oscar, but this movie gave him a perfect transition from his stage work and established him as a hot young Hollywood director, leading to his acclaimed (and Oscar-winning) work on his next movie, The Graduate. ~ Hal Erickson, Rovi
Dogtown and Z-Boys - Fullscreen Subtitle Dolby
In the mid-'70s, skateboarding was widely seen as a fad of the 1960s that had all but died out, except for a handful of committed fans in California. But that began to change with the emerge of the Z-Boys, a team of teenaged skateboarders who emerged from a decaying urban community in Santa Monica, CA. Hard-core surfers who sought to translate the hot-dogging stunts of world-class wave riders onto their skateboards began hanging out at the Zephyr Productions Surf Shop, a store that stocked top-grade equipment for local surfers and skaters, and with the help of the store's owner Jeff Ho, twelve of the skaters organized themselves into a team to compete at local skate events. Soon the radical moves and scruffy-streetwise style of the Zephyr Skate Team -- the Z-Boys for short -- upended public preconceptions of skateboarding as a sport and a lifestyle, and the wild style of Z-Boy skaters such as Tony Alva, Jim Muir, and Jay Adams made them celebrities who blazed the trail for the extreme sports movement. But while the Z-Boys' success brought them a measure of fame and fortune -- lucrative endorsement contracts, deals to manufacture their own custom skateboards, and even movie roles (Tony Alva starred opposite Leif Garrett in Skateboard, while Z-Boy Stacy Peralta was top-billed in Freewheelin') -- their fame proved to be fleeting, and several of the Z-Boys fell prey to drugs, crime, and ego. Dogtown and Z-Boys is a documentary by former Z-Boy Stacy Peralta that chronicles the glory days of the Z-Boys through footage of the skaters in their prime and interviews with the pioneers of the Southern California skate scene. Rock musicians and noted skate enthusiasts Ian MacKaye, Henry Rollins, and Jeff Ament also appear to discuss the importance of the Z-Boys' legacy; Sean Penn narrates. ~ Mark Deming, Rovi
Mr. Moto Collection, Vol. 1 [4 Discs] -
Includes:Think Fast, Mr. Moto (1937) Thank You, Mr. Moto (1937) Mr. Moto Takes a Chance (1938) Mysterious Mr. Moto (1938) Think Fast, Mr. Moto Think Fast, Mr. Moto was the first of 20th Century-Fox's movie series based on the wily Japanese sleuth created by J. P. Marquand. Moto (Peter Lorre) seems to be a criminal this time around, involved with a gang of international smugglers. Virginia Field is a White Russian expatriate who likewise appears to be an agent of the criminals. The adventure takes Moto, Ms. Field and the son of a legitimate gem dealer (Thomas Beck) from San Francisco to Shanghai. During the inevitable showdown with the head of the smugglers (Sig Rumann), Virginia turns out to be an unwilling pawn of the crooks, while the inscrutable Mr. Moto reveals himself to be a special agent of the International Police. ~ Hal Erickson, Rovi Thank You, Mr. Moto The second of eight 1930s films based on J. P. Marquand's Japanese detective, Thank You, Mr. Moto finds Moto (Peter Lorre) coming to the aid of Chinese royalty. The last remaining members of an ancient Chinese clan (Pauline Frederick and Philip Ahn) have in their possession six of seven scrolls, which when put together reveal the secret hiding place of Genghis Kahn's treasure. Moto has the seventh scroll, which he sneaks into Peking in hopes of contacting the family. The villains torture and kill the Chinese royals, then lure Moto to a rendezvous on a Chinese river junk. Moto is aided in thwarting the villains by the quick thinking of ingenue Jayne Regan; then, rather than risk the scrolls falling into the wrong hands and thus disgracing the Chinese family who died for their sake, Moto burns all seven parchments. ~ Hal Erickson, Rovi Mr. Moto Takes a Chance In this fourth of 20th Century-Fox's "Mr. Moto" series, a beautiful young aviatrix (Rochelle Hudson) on a secret diplomatic mission crash-lands in a remote Indochinese jungle province ruled by a despotic potentate (J. Edward Bromberg). Japanese adventurer Mr. Moto (Peter Lorre) is in the vicinity on an archeological expedition, while two hotshot American newsreel cameramen (Robert Kent, Chick Chandler) also stumble upon the scene. The aviatrix tries to get the potentate to help quell an insurrection led by a maniacal high priest (George Regas), but it turns out that the duplicitous ruler is in on the rebellion as a means of increasing his own wealth and power. Moto takes charge by posing as the high priest; he rescues the aviatrix and the newsreel men, vanquishes the villains and destroys a munitions site. And all this in 63 minutes! ~ Hal Erickson, Rovi Mysterious Mr. Moto Peter Lorre makes his fifth appearance as J. P. Marquand's polite but deadly Japanese sleuth Mr. Moto. This time Moto is called in by Scotland Yard to thwart a vicious gang of international assassins. To infiltrate the gang, Moto poses as a Devil's Island inmate and escapes with one of the killers. The climax takes place at the British Museum, where the mysterious
Underworld: Evolution/The Grudge [WS] [2 Discs] - Widescreen Special
Includes:The Grudge (2004), MPAA Rating: PG-13 Underworld: Evolution (2006), MPAA Rating: R The Grudge This American remake of director Takashi Shimizu's popular Japanese movie franchise The Grudge puts Buffy the Vampire Slayer alumna Sarah Michelle Gellar back into the line of supernatural fire. When Karen (Gellar), an American student working with a Japanese health center for college credit, comes across a mysterious curse, she quickly finds herself embroiled in a fight for her own sanity, and, ultimately, her very survival. Known as a "grudge," the curse was born inside of a house after its inhabitants died while consumed by rage -- according to legend, the curse touches all who come into contact with it, and will torment those unlucky individuals until they, too, become part of the grudge . Each time the curse finds a new victim, it is, in a sense, reborn, and will continue on its path unless Karen can free herself from its control over her. This version of The Grudge is also directed by Shimizu, and features Jason Behr, Clea DuVall, Kadee Strickland, William Mapother, and Bill Pullman in supporting roles. ~ Tracie Cooper, Rovi Underworld: Evolution Tribes of vampires and werewolves battle for supremacy among the undead in this follow-up to the horror hit Underworld. Tracing the bloody history of the ongoing war between the Death Dealers, a gang of upper-crust vampires, and the Lycans, a pack of scruffy werewolves, Underworld: Evolution finds beautiful Death Dealer Selene (Kate Beckinsale) and hunky Lycan Michael (Scott Speedman) exploring their own pasts as well as those of their comrades in hope of uncovering the secrets of this centuries-old conflict. As Selene and Michael deal with their bloody legacy as well as their forbidden romance, the violence between the Death Dealers and the Lycans escalates in what may be the final face-off between them. Directed by Len Wiseman, who also helmed the first film, Underworld: Evolution also stars Shane Brolly, Bill Nighy, Tony Curran, and Derek Jacobi. ~ Mark Deming, Rovi
Tribute to Pink Floyd: Back Against the Wall
Tributee: Pink Floyd.One of the most popular, and analyzed, rock albums ever is undoubtedly Pink Floyd's 1979 sprawling masterpiece The Wall. Although the definitive version remains the aforementioned studio album, there has also been a 1982 movie (starring a pre-Live Aid Bob Geldof), and two separate live albums -- one by Roger Waters in 1990 (The Wall: Live in Berlin, 1990) and the other a delayed release of Pink Floyd performances from the early '80s (2000s Is There Anybody Out There? The Wall: Live 1980-1981). So you think that would be the last we heard from The Wall, right? Think again. A multitude of classic rockers/prog rockers have united to cover The Wall in its entirety, under the title Back Against the Wall. Led by producer Billy Sherwood, a rotating case of musicians was assembled to make anyone with a well-worn copy of Tales of Topographic Oceans drool with excitement -- Yes' Rick Wakeman, Chris Squire, Alan White, and Geoffrey Downes; King Crimson's Adrian Belew, Tony Levin, and John Wetton; Styx's Tommy Shaw; ELP's Keith Emerson, and Jethro Tull's Ian Anderson, among countless others. Interestingly though, it can be argued that The Wall was Pink Floyd's least "progressive" album, as the group focused on tight song structures -- obviously inspired by the then burgeoning new wave and punk movements. The performances are expectedly spot-on (and it's quite impressive how they re-created all the sound effects/spoken word bits so precisely), and stick very close to the originals -- except for a Chris Squire-led take of "Comfortably Numb," which adds a few extra bits. With an ever-increasing overabundance of versions of The Wall to choose from, you've got to wonder if Back Against the Wall was necessary at all. ~ Greg Prato
The Godfather - Widescreen Dubbed Subtitle AC3
Popularly viewed as one of the best American films ever made, the multi-generational crime saga The Godfather is a touchstone of cinema: one of the most widely imitated, quoted, and lampooned movies of all time. Marlon Brando and Al Pacino star as Vito Corleone and his youngest son, Michael, respectively. It is the late 1940s in New York and Corleone is, in the parlance of organized crime, a "godfather" or "don," the head of a Mafia family. Michael, a free thinker who defied his father by enlisting in the Marines to fight in World War II, has returned a captain and a war hero. Having long ago rejected the family business, Michael shows up at the wedding of his sister, Connie (Talia Shire), with his non-Italian girlfriend, Kay (Diane Keaton), who learns for the first time about the family "business." A few months later at Christmas time, the don barely survives being shot by gunmen in the employ of a drug-trafficking rival whose request for aid from the Corleones' political connections was rejected. After saving his father from a second assassination attempt, Michael persuades his hotheaded eldest brother, Sonny (James Caan), and family advisors Tom Hagen (Robert Duvall) and Sal Tessio (Abe Vigoda) that he should be the one to exact revenge on the men responsible. After murdering a corrupt police captain and the drug trafficker, Michael hides out in Sicily while a gang war erupts at home. Falling in love with a local girl, Michael marries her, but she is later slain by Corleone enemies in an attempt on Michael's life. Sonny is also butchered, having been betrayed by Connie's husband. As Michael returns home and convinces Kay to marry him, his father recovers and makes peace with his rivals, realizing that another powerful don was pulling the strings behind the narcotics endeavor that began the gang warfare. Once Michael has been groomed as the new don, he leads the family to a new era of prosperity, then launches a campaign of murderous revenge against those who once tried to wipe out the Corleones, consolidating his family's power and completing his own moral downfall. Nominated for 11 Academy Awards and winning for Best Picture, Best Actor (Marlon Brando), and Best Adapted Screenplay, The Godfather was followed by a pair of sequels. ~ Karl Williams, Rovi
Close To Jesus [4 Pack] -
Includes:Joseph of Nazareth (1999) Mary Magdalene (2000) Joseph of Nazareth In keeping with its ongoing policy of dramatizing the lives of Biblical figures heretofore bypassed in "traditional" filmed biographies, America's PAX TV network served up a newly dubbed and re-edited version of the 1999 Italian TV movie Giuseppe di Nazareth. The focus is on Joseph (Tobias Moretti), the carpenter husband of the Virgin Mary (Stefania Rivi). Having already accepted the notion that his wife has given birth to the Son of God, Joseph continues to cope with events beyond his control as 11-year-old Jesus (Jurij Gasparini) becomes aware of His purpose in life. Joseph is also shown struggling to survive under the harsh administration of King Herod (Ennio Fantastichini), who of course is no friend to the Nazarenes. Under the title Joseph of Nazareth, the film made its PAX debut on April 29, 2001, just after the network's presentation of Jeremiah and not long before the telecast of Mary Magdalene. ~ Hal Erickson, Rovi Mary Magdalene Originally seen on Italian television in April of 2000, Mary Magdalene was one of several feature films produced and written by Gareth Jones and Gianmario Pagano which dramatized the lives of the Bible's supporting characters. Maria Grazia Cucinotta plays the title character, the reformed prostitute who became one of the most fervent and pious followers of Jesus Christ. The film recounts Mary Magdalene's conversion with help of John the Baptist, and her presence at the Crucifixion and the Resurrection (with forgivable doses of dramatic license). Advertised with the ever-so-slightly lurid tag line "She lived the greatest sin, the great love. And she kept the greatest secret," Mary Magdalene made its American TV debut over the PAX network on February 11, 2001. ~ Hal Erickson, Rovi
Shirley Temple Collection, Vol. 6 [3 Discs] - Widescreen Dubbed
Includes:Stowaway (1932) Wee Willie Winkie (1937), MPAA Rating: NR Young People (1940), MPAA Rating: NR Stowaway No synopsis available. Wee Willie Winkie In this lovely John Ford film, Joyce Williams (June Lang) and her young daughter, Priscilla (Shirley Temple), travel to India to live on a British Army base with Joyce's father, Colonel Williams, Aubrey C. Smith). Once there, sweet, young Priscilla manages to win the love and affection of the soldiers and her curmudgeonly grandfather, and she plays an important role in easing a local rebellion. One of the best Shirley Temple movies, Ford allows her to be sweet without being cloying and moves the action at a good pace. A wonderful cast of some of Hollywood's best supporting actors add charm to this film which is appealing to both children and adults. ~ Linda Rasmussen, Rovi Young People "Over the hill" at the tender age of 12, Shirley Temple closed out her 20th Century-Fox contract with the musical seriocomedy Young People. After years of trodding the boards in vaudeville, Wendy Ballantine (Temple) and her adoptive parents Joe (Jack Oakie) and Kit (Charlotte Greenwood retire) to a small town so that the youngster can receive a proper upbringing. Alas, the town is full of Babbitt-like bigots who disapprove of "show people", and who make no secret of their desire that Wendy and her family leave town immediately. But when a dangerous storm arises, the courage of Wendy, Joe and Kit-coupled with their rescue of several stranded children-forces the townsfolk to realign their thinking and welcome the family into their fold. The best moments in Young People occur at the very beginning, wherein Shirley Temple literally grows up before the audience's eyes via filmclips from her earlier starring vehicles (watch how Jack Oakie suddenly turns into James Dunn-from the waist down-in a musical number lifted from 1934's Stand Up and Cheer). ~ Hal Erickson, Rovi
Friday / Menace Ii Society / Set It Off Blu-Ray from Warner Bros.
3 movies from the toughest streets of L.A.






